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Raised by griots, trained by machines, Afrotronix transforms cultural erasure into pan-African electronic liberation.

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KÖD

NEW ALBUM 

LISTEN TO THE FIRST RELEASES

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Humanity’s first algorithm was written in rhythm.

KÖD honors this legacy.

NEW ALBUM

The talking drum required both technical skill (the drummer) and cultural literacy (the listener) — a perfect parallel to today’s relationship between human creativity and digital technology.

“My work teaches digital systems the languages and rhythms of our ancestors,” says Afrotronix. 

Through the vocoder, I’ve created what I call “the voice of an African robot”. For the first time, a robot speaks Sara and Goulay.

KÖD is built on two foundational elements: the ever-present drum, and traditional vocal techniques reimagined as organic synthesizers.

KÖD is a meditation on what eludes machines.

 

GOURNA genre, or Guruna was registered at UNESCO December 2025

KÖD in Sara means the tam-tam. The talking drum represents one of humanity’s earliest forms of coding: rhythm as language, sound as data, drum as transmitter. 

The album’s opening track captures machines in the act of learning — attempting to decode linguistic patterns and melodic structures.

The machines are hungry, saying “Feed me with the African database.”

I’ve fed these machines my life’s work: years of collecting and archiving Sahelian musical traditions, voices preserved on worn cassettes from my childhood, now digitized and made legible to algorithms.

Artificial intelligence can learn our languages, reproduce our melodies, even compose for us. But there is a language it will never understand: that of ancestral gestures, sighs laden with stories, ritual silences that speak the unspeakable.

An ode to our secret codes—passed down skin to skin, gaze to gaze, from generation to generation.

 KÖD celebrates these sacred spaces that make us irreplaceable.

We remain the guardians of the invisible, the masters of our own codes.

CV professionnel chargé de communication
AWARDS

‘Afrotronix, one of the most gifted artist of his generation’

France 24

‘His vision of Africa 2.0 An Africa without complexes, “free from the colonial imprint”, which delves back into its roots “before the invaders”, without remaining stuck there, to invent the black man of the future, African or not.’

Le Monde

‘A fusion approach stemming from Afrofuturism, a movement mixing African roots and science fiction visions’

France Info

‘He embraces the aesthetic of Afrofuturism’

BBC World Service

'AfrotroniX shows are an incredible crossroads of Afro-urban music and dance, where digital arts explode.'

Le Monde

BIO

Raised by griots, trained by machines, Afrotronix transforms cultural erasure into pan-African electronic liberation.

Afrotronix fuses Chadian initiation rhythms and Sara, Gourane and Arabic vocal heritage with forward‑looking electronic production, crafting a spiritual, pan‑African sound that bridges ancestral wisdom and the music of tomorrow in a Sonic Ritual Initiation.

 

Chad’s first electronic export, Afrotronix is an Afrofuturist icon. Led by Chadian guitarist-producer Caleb Rimtobaye from Montreal, the project fuses Electronic Music, Afro Tech, Amapiano, and Afro House into what he calls “Saharan Electro” , a bold, ancestral pulse for the future. Born in Chad and raised amid the spiritual and musical practices of his people, Afrotronix transformed early civil war traumas into a mission of communal healing and unity. Self‑taught in Dj, voice and guitar, he won the Jeux de la Francophonie in 2001 and relocated to Montreal, where he developed a signature sound — “Saharan Electro Blues” — that pairs Nganja initiation chants and Sara vocal textures with deep house, dubstep and ambient electronics and actively reshapes how the world hears Africa. 

 

With 130+ festivals worldwide (WOMAD, Afropunk Paris, JOVA Beach Party), collaborations with Baaba Maal, Youssou N’dour, Lorenzo Jovanotti, and Stonebwoy, and 18 global awards including Best African DJ (AFRIMA 2018) and Best African Electro Artist (2019), Afrotronix is Chad’s most internationally recognized musical export, connecting north, south and center through an electronic sound whose soul is unmistakably Chadian.

 

Wearing the DOM, a helmet symbolizing reimagined ancestral wisdom, Afrotronix creates sonic mosaics from electric guitar, live percussion, and cutting-edge visuals revealing his people ‘s soul. Afrotronix is a living paradox: Chad’s most sacred sounds reimagined as the world’s most futuristic.  His upcoming album Köd imagines an inclusive world rooted in shared memory, healing, and groove: “a dance of intersecting horizons and futures to be created together.”

 

KÖD, his new album featuring collaborators from Chad, Nigeria, Sudan, Ghana, Senegal, Mali, Congo, and Canada, underscores his role as a cultural leader and facilitator of pan‑African exchange. KÖD arrives at a crucial moment: as African electronic music reshapes global sound, Afrotronix stands at the intersection, proving that the most ancient vibrations can power the most cutting-edge grooves. Humanity’s first algorithm was written in rhythm. KÖD honors this legacy. He calls it a dance of intersecting horizons and futures to be created together.” 

 

It’s music that dares to dream—and dance—beyond borders of time and space. An electrifying blast from a future born of ancestral greatness.

موسيقى

BIO
Musique

CALEB RIMTOBAYE

 

Cultural entrepreneur, producer, composer, creative director, songwriter​

 

Founder, director, creator, co-manager of the group AFROTRONIX, LES AUNTIES.

Founder and conductor of the group H’SAO.

 

Producer and director for several artists including Bongwana Star, Sarahmée, Djely Tapa.

 

Guitarist and singer, two decades of experience

Director of the Juno Award-winning album "Barokan" by Djely Tapa, recognized as Best World Album in 2020.

 

 

Album productions:

#1 FUTURE TRIBE Afrotronix

#2 IYA Les Aunties

#3 BAROKAN Djely Tapa

#4 NOMADIX Afrotronix

#5 TAAR Elété

#6 SAOTRONIX Afrotronix

#7 SAAR H’Sao

#8 ORIA H’Sao

#9 VOL 235 H’Sao

#10 H’Sao H’Sao

Film score composer:

DIYA, Fiction, 120 minutes, directed by Achille Ronaimou (Chad-France)

WINNER BEST MUSIC AT CARTHAGE FILM FESTIVAL 2025, for AFROTRONIX conception, production, arrangement and interpretation on DIYA film 's original score 

انتقادات لألبوم NomdiX

 

أفضل 50 ألبومًا السنة: 

AfrontroniX - Nomadix: "... ألبوم مبتكر ورائع وراقص، يقترب من الواقع." راديو آي سي آي

"هل يمر مستقبل البوب الأفريقي الجماهيري أيضًا في مونتريال؟ سنعرف ذلك قريبًا جدًا من خلال الألبوم الذي تنتجه AfrotroniX"

آلان برونيه  الصحافة 

"يضيف إليها المغني وعازف الجيتار كاليب ريمتوباي بهذا المشروع الذي يدعي المستقبل الأفريقي والذي يدمج الكهرباء بطريقة رائعة"  لو ديفير

 

لن تكتفي أيضًا من المعزوفات المنفردة على الجيتار السائدة في جميع أنحاء الألبوم. 

OKAfrica

 

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